Yesterday I attended a workshop with Madison Contemporary Fiber Artists.
The workshop featured Golden Artist Colors and artist Sandie Bacon (here).
We had a great time painting on different kinds of fabric. Sandie brought us all sorts of goodies to play with.
Sandie brought these drapery samples and I stenciled on some Iridescent Gold, then over that some modeling paste mixed with orange interference paint.
On this one I first stenciled some Micaceous Iron Oxide (oh-- I love saying that!) and then the modeling paste over that.
Sandie showed us how to make "skins" by smearing medium over a piece of plastic and adding a little paint for color. Let it dry and voila! A semi-transparent "skin" that you can paint or stitch over. It reminded me of when I was a kid and we used to smear glue on our palms, let it dry, then peel it off.
And I got to play with a small Gelli-plate. This was just some paints smeared on it, then I kissed it with a texture plate before "printing" the fabric.
I like the "prints" made with the texture plate better.
But I really like the gelli-plate prints on this scrim. They're in order from first to last.
So I think I may try to combine all these bits into one single piece. Hmmmm.....
The workshop featured Golden Artist Colors and artist Sandie Bacon (here).
We had a great time painting on different kinds of fabric. Sandie brought us all sorts of goodies to play with.
Sandie brought these drapery samples and I stenciled on some Iridescent Gold, then over that some modeling paste mixed with orange interference paint.
On this one I first stenciled some Micaceous Iron Oxide (oh-- I love saying that!) and then the modeling paste over that.
Sandie showed us how to make "skins" by smearing medium over a piece of plastic and adding a little paint for color. Let it dry and voila! A semi-transparent "skin" that you can paint or stitch over. It reminded me of when I was a kid and we used to smear glue on our palms, let it dry, then peel it off.
And I got to play with a small Gelli-plate. This was just some paints smeared on it, then I kissed it with a texture plate before "printing" the fabric.
I like the "prints" made with the texture plate better.
But I really like the gelli-plate prints on this scrim. They're in order from first to last.
So I think I may try to combine all these bits into one single piece. Hmmmm.....






































